A constructed
theatre of the image.

A surreal photographic series reflecting on the concept of escape: the possibility of withdrawing from situations that do not belong to us, do not fulfil us, or no longer feel right. Frontal, suspended architectural views — each marked by two openings, where signs, walls and barriers suggest that leaving is impossible, or that one should not. A pair of shoes left on the ground becomes a metaphor for the ability to choose, and to find the means, even those we do not believe we possess, to move beyond what holds us back.

A surreal self-portrait series exploring the threshold between unconscious and conscious. Each image is a visual rebus — a theatrical composition of symbolic objects and vivid colors — that asks the viewer to decode the unsaid and uncover the message hidden within, reflecting on the individual and contemporary society.

A staged photography project exploring why a woman of childbearing age might choose not to pursue motherhood. Set in a dreamlike, artificial woodland, the series follows an idealized chronology — conception, awareness, fetal development, breaking of waters, labor, childbirth — and the hesitations tied to each stage, opening space for alternative paths and a more inclusive discourse on motherhood.